{"id":14428,"date":"2022-04-17T08:24:54","date_gmt":"2022-04-17T13:24:54","guid":{"rendered":"https:\/\/maghreb-observateur.com\/?p=14428"},"modified":"2022-04-18T09:40:13","modified_gmt":"2022-04-18T14:40:13","slug":"twist-a-bamako-laureat-du-festival-de-cinema-vues-dafrique","status":"publish","type":"post","link":"https:\/\/maghreb-observateur.com\/?p=14428","title":{"rendered":"\u2018\u2018Twist \u00e0 Bamako\u2019\u2019, laur\u00e9at du festival de cin\u00e9ma Vues d\u2019Afrique"},"content":{"rendered":"\n<p>Par&nbsp;Top Visages&nbsp;<a href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https:\/\/topvisages.net\/twist-a-bamako-laureat-du-festival-de-cinema-vues-dafrique\/&amp;media=https:\/\/topvisages.net\/wp-content\/uploads\/2022\/04\/20220414_141343.jpg&amp;description=%E2%80%98%E2%80%98Twist+%C3%A0+Bamako%E2%80%99%E2%80%99%2C+laur%C3%A9at+du+festival+de+cin%C3%A9ma+Vues+d%E2%80%99Afrique\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/topvisages.net\/wp-content\/uploads\/2022\/04\/20220414_141343.jpg\" rel=\"shadowbox[sbpost-14428];player=img;\" title=\"20220414_141343\"><img decoding=\"async\" src=\"https:\/\/topvisages.net\/wp-content\/uploads\/2022\/04\/20220414_141343-640x439.jpg\" alt=\"\" title=\"20220414_141343\"\/><\/a><\/figure>\n\n\n\n<p>Le 38e Festival International de&nbsp;<em>Cin\u00e9ma Vues d\u2019Afrique<\/em>&nbsp;a referm\u00e9 ses portes le dimanche 10 avril 2022 avec la projection du film laur\u00e9at, \u2018<em>\u2018Twist \u00e0 Bamako\u2019\u2019<\/em>, de Robert Gu\u00e9diguian. Cette co-production (France\/Canada\/Italie\/S\u00e9n\u00e9gal) a obtenu le Prix du long m\u00e9trage, s\u00e9lection internationale fiction d\u00e9cern\u00e9 par l\u2019OIF.<\/p>\n\n\n\n<p>Durant 10 jours (du 1er au 10 Avril) la Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise a vu d\u00e9filer les 118 titres de la programmation dont 18 longs m\u00e9trages, 8 moyens m\u00e9trages et 92 courts m\u00e9trages en provenance de 44 pays de productions ou coproductions. \u00c0 noter que 30 % de ces \u0153uvres ont \u00e9t\u00e9 r\u00e9alis\u00e9es par des femmes. Ce qui r\u00e9jouit la marraine de cette \u00e9dition, la Franco-s\u00e9n\u00e9galaise A\u00efssa Ma\u00efga.&nbsp;<strong><em>\u00ab C\u2019est une bonne chose la pr\u00e9sence des femmes de plus en plus dans le cin\u00e9ma. C\u2019est encourageant pour la rel\u00e8ve. Ann\u00e9e apr\u00e8s ann\u00e9e, nous sommes convaincus que ce chiffre va s\u2019am\u00e9liorer.\u00bb<\/em><\/strong><\/p>\n\n\n\n<p>Retenons que pour cette cuv\u00e9e 2022 post pand\u00e9mie, la tr\u00e8s grande majorit\u00e9 des films (72 %) sont de 2021 et 20 % de 2020.<br>Outre les prix octroy\u00e9s par les diff\u00e9rents jurys, le festival a tenu \u00e0 remettre une distinction sp\u00e9ciale \u00e0 trois \u0153uvres de sa s\u00e9lection :&nbsp;<em>\u2018\u2018Les 3 lascars\u2019\u2019<\/em>&nbsp;de Bouboucar Dialo pour sa bonne humeur si bienvenue dans une ann\u00e9e\u2026 sombre; \u2018<em>\u2018Neptune Frost\u2019\u2019<\/em>&nbsp;de Saul Willian et Anisia Uzeyman, un film puissant et original, et une formidable promesse cin\u00e9matographique;&nbsp;<em>L\u2019Empire du silence<\/em>&nbsp;de Thierry Michel, un t\u00e9moignage essentiel qui d\u00e9nonce la situation humanitaire du Congo.<\/p>\n\n\n\n<p><strong><em>Dramane K. Denkess, \u00e0 Montr\u00e9al<\/em><\/strong><\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong><em><\/em><\/strong><br><strong>LE PALMARES :<\/strong><\/h5>\n\n\n\n<p><strong>Prix Agir pour l\u2019\u00e9galit\u00e9 remis par le CECI:<\/strong><br><em>\u2018\u2018Houminvi\u2019\u2019<\/em>&nbsp;de Giovannia Atodjinou-Zinsou et Darlini Gilles (B\u00e9nin \/ Ha\u00efti)<br><em>\u2018\u2018La s\u0153ur de quelqu\u2019un\u2019\u2019<\/em>&nbsp;de Kady Traor\u00e9 (Burkina Faso)<\/p>\n\n\n\n<p><strong>Prix du d\u00e9veloppement durable d\u00e9cern\u00e9 par l\u2019IFDD:<\/strong><br><em>\u2018\u2018Goom bu Nuul\u2019\u2019 (Tumeur Noire)<\/em>, de Babacar SOUGOU (S\u00e9n\u00e9gal)<\/p>\n\n\n\n<p><strong>Prix droits de la personne d\u00e9cern\u00e9 par le CIDIHCA:<\/strong><br><em>\u2018\u2018Sankara\u2019\u2019<\/em>&nbsp;de Yohan Malka (France)<br><strong>Mentions sp\u00e9ciales<\/strong>&nbsp;:<br><em>\u2018\u2018Mkawda\u2019\u2019<\/em>&nbsp;de Souad Douibi (Alg\u00e9rie)<br><em>\u2018\u2018Maria Kristu : The Buumba story\u2019\u2019<\/em>&nbsp;de Paul Mwilo (Zambie)<br><strong>Prix regards d\u2019ici attribu\u00e9 par Kastallis<\/strong><br>COURT OU MOYEN M\u00c9TRAGE :&nbsp;<em>\u2018\u2018Un chaos rempli de po\u00e9sie\u2019\u2019<\/em>, de Daphn\u00e9 Cambronne, Canada<br>LONG M\u00c9TRAGE : \u2018<em>\u2018La rockeuse du d\u00e9sert\u2019\u2019<\/em>, de Sara Nacer (Canada)<\/p>\n\n\n\n<p><strong>Bourse mobilit\u00e9 francophone attribu\u00e9e par LOJIQ<\/strong><br>\u2018<em>\u2018Amani\u2019\u2019<\/em>, de Alliah Fahin (Canada)<\/p>\n\n\n\n<p><strong>Prix animation remis par le Regroupement G\u00e9n\u00e9ral des S\u00e9n\u00e9galais du Canada:<\/strong><br><em>\u2018\u2018Shelter\u2019\u2019,<\/em>&nbsp;de Robin Myles September (Afrique du Sud)<\/p>\n\n\n\n<p><strong>Prix Web et s\u00e9ries TV d\u00e9cern\u00e9 par le Rassemblement G\u00e9n\u00e9ral des S\u00e9n\u00e9galais du Canada:<\/strong><br><em>\u2018\u2018Mami Wata : Le myst\u00e8re d\u2019Iveza\u2019\u2019<\/em>&nbsp;de Samantha Biffot et Marco Tchicot (Gabon, C\u00f4te d\u2019Ivoire\/B\u00e9nin)<br><strong>Mention sp\u00e9ciale :&nbsp;<em>\u2018<\/em><\/strong><em>\u2018Un homme \u00e0 marier\u2019\u2019<\/em>&nbsp;de Jean-Jules Porquet (C\u00f4te d\u2019Ivoire)<\/p>\n\n\n\n<p><strong>Prix Regards sur la rel\u00e8ve d\u00e9cern\u00e9 par Maghreb Observateur:<\/strong><br>COURT OU MOYEN M\u00c9TRAGE :<em>&nbsp;\u2018\u2018Mkawda\u2019\u2019<\/em>&nbsp;de Souad Douibi (Alg\u00e9rie)<br><strong>Mention sp\u00e9ciale<\/strong>&nbsp;:<em>&nbsp;\u2018\u2018La pierre pr\u00e9cieuse\u2019\u2019<\/em>&nbsp;de Babacar Hanne Dia (France\/Senegal)<br>LONG M\u00c9TRAGE :&nbsp;<em>\u2018\u2018La promesse du bagne\u2019\u2019<\/em>&nbsp;de Joseph Degramon Ndjom (Cameroun)<\/p>\n\n\n\n<p><strong>Prix du moyen et court m\u00e9trage s\u00e9lection internationale documentaire d\u00e9cern\u00e9 par le minist\u00e8re des Relations internationales et de la Francophonie du Qu\u00e9bec<\/strong><br><em>\u2018\u2018Goom bu Nuul\u2019\u2019 (Tumeur Noire)<\/em>&nbsp;de Babacar SOUGOU (S\u00e9n\u00e9gal)<br><strong>Mention Sp\u00e9ciale :<\/strong>&nbsp;\u2018<em>\u2018Dakar-Djibouti, Le butin du mus\u00e9e de l\u2019homme\u2019\u2019<\/em>&nbsp;de Marc Petitjean (France)<\/p>\n\n\n\n<p><strong>Prix du long m\u00e9trage s\u00e9lection internationale documentaire d\u00e9cern\u00e9 par le minist\u00e8re des Relations internationales et de la Francophonie du Qu\u00e9bec<\/strong><br><em>\u2018\u2018Sankara\u2019\u2019<\/em>&nbsp;de Yohan Malka (France)<br><strong>Mention Sp\u00e9ciale :<\/strong>&nbsp;<em>\u2018\u2018Gofrane et les promesses du<\/em>&nbsp;<em>printemps\/She has a dream\u2019\u2019<\/em>&nbsp;de Raja Amani (Tunisie)<\/p>\n\n\n\n<p><strong>Prix du meilleur acteur offert par le Centre culturel Marocain de Montr\u00e9al<\/strong><br>Iheb Bouyiaha, dans<em>&nbsp;\u2018\u2018Streams\u2019\u2019<\/em>&nbsp;de Mehdi Hmili (Tunisie)<br><strong>Mention sp\u00e9ciale<\/strong>&nbsp;: St\u00e9phane Bak, dans \u2018<em>\u2018Twist \u00e0 Bamako\u2019\u2019,<\/em>&nbsp;de Robert Gu\u00e9diguian (France\/Canada\/Italie\/S\u00e9n\u00e9gal)<\/p>\n\n\n\n<p><strong>Prix de la meilleure actrice offert par le Centre culturel Marocain de Montr\u00e9al<\/strong><br>Afef ben Mahmoud, dans \u2018<em>\u2018Streams\u2019\u2019<\/em>&nbsp;de Mehdi Hmili (Tunisie)<br><strong>Mention Sp\u00e9ciale :<\/strong>&nbsp;Fatoumata Kand\u00e9, dans<em>&nbsp;\u2018\u2018Vivre pour t\u2019aimer\u2019\u2019<\/em>&nbsp;de Kand\u00e9 Fatoumata (Guin\u00e9e-Conakry)<\/p>\n\n\n\n<p><strong>Prix du moyen, court m\u00e9trage, s\u00e9lection internationale fiction d\u00e9cern\u00e9 par l\u2019OIF<\/strong><br><em>\u2018\u2018Alt-Sit\u2019\u2019<\/em>&nbsp;de Suzannah Mirghani (Soudan\/Qatar)<br><strong>Mentions sp\u00e9ciales<\/strong>&nbsp;:<br><em>\u2018\u2018Crack\u2019\u2019<\/em>&nbsp;de Bilal Touil (Maroc\/Maghreb)<br><em>\u2018\u2018E intanto il mondo\u2019\u2019&nbsp;<\/em>de Pietro Tamaro (Italie\/Maroc)<br><em>\u2018\u2018La danse des b\u00e9quilles\u2019\u2019<\/em>&nbsp;de Yoro Niang (S\u00e9n\u00e9gal)<\/p>\n\n\n\n<p><strong>Prix du long m\u00e9trage, s\u00e9lection internationale fiction d\u00e9cern\u00e9 par l\u2019OIF<\/strong><br><em>\u2018\u2018Twist \u00e0 Bamako\u2019\u2019<\/em>&nbsp;de Robert Gu\u00e9diguian (France\/Canada\/Italie\/S\u00e9n\u00e9gal)<\/p>\n\n\n\n<p><strong>Mention Sp\u00e9ciale<\/strong>&nbsp;:<em>&nbsp;\u2018\u2018Vivre pour t\u2019aimer\u2019\u2019<\/em>, de Fatoumata Kand\u00e9 (Guin\u00e9e-Conakry)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par&nbsp;Top Visages&nbsp; Le 38e Festival International de&nbsp;Cin\u00e9ma Vues d\u2019Afrique&nbsp;a referm\u00e9 ses portes le dimanche 10 avril 2022 avec la projection du film laur\u00e9at, \u2018\u2018Twist \u00e0 Bamako\u2019\u2019, de Robert Gu\u00e9diguian. Cette&hellip; <\/p>\n","protected":false},"author":83,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ngg_post_thumbnail":0},"categories":[108,116,192],"tags":[],"_links":{"self":[{"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=\/wp\/v2\/posts\/14428"}],"collection":[{"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14428"}],"version-history":[{"count":2,"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=\/wp\/v2\/posts\/14428\/revisions"}],"predecessor-version":[{"id":14436,"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=\/wp\/v2\/posts\/14428\/revisions\/14436"}],"wp:attachment":[{"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maghreb-observateur.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}